Wednesday, March 16, 2011

Wi 4.99

4 + 4 = 8 charrette

Beaucoup de vagues and Angling merged to form a charrette. Immediately each group member shared information on its design concept, navigation of the spaces, and how to incorporate the books. We briefly discussed methods of synchronizing the spaces; which wasn’t as atrocious as I’d imagine, considering Angling’s complex exterior structure. The thought of a (new) group name circulated for a moment, then Justin made up the word “Curvangular”, we all concurred and moved on. Following, we swiftly established subgroups. These groups inadvertently formed; I was already taking notes regarding concepts and books, Phillip had pulled up and consolidated the models for each group, and Nikki had a pen and sketchbook in hand. Naturally, Angling’s group members migrated to the area that they were most comfortable. Justin and I wrote the concept statement, Nikki and Faith drew the diagrams, while Phillip and Anna worked on a perspective view from the sketch-up files. It was just perfecto!



Beaucoup de vagues and Circuit merged for a charrette following Angling. We attempted to follow the 1st blueprint, since we accomplished each deliverable seamlessly. No so much! We found difficulty in every category, with the exception of stacking the buildings. Oddly enough, the building (Angling’s) that was most complicated to combine, we were able to achieve quality work and found delight in doing so. While, the building (Circuit’s) that was least complex, the work produced was less than desirable.


As the mixture of colors in the title suggests, we found that charrettes can be a brilliant method to solving design problems, due to the diversity / (mixture) of talent on a project.


4 + 4 = 8 charrette

Tuesday, March 8, 2011

All Saints Episcopal Church

Spaeh architecture + environments

Concept: Jill used the All Saints Episcopal Church shield for inspiration. Throughout the exterior and interior you'll find the simple yet sophisticated circle repeated in her design.


Upon entering the shield appears within a multicolor brick layout. She did inform us that she had to give a big hug to the masonry crew upon completion, as there were challenges of laying brick in this fashion.The courtyard is a new feature to the church; Jill incorporated benches to provide seating, making the courtyard multifunctional.


A nice little wind blows and a soft little jingle accompanies it. The parameters of the circular courtyard has rain chains throughout. It's a wonderful and thoughtful way to channel a little of what God gave us!


Once inside you feel serene, peaceful, and like you've found a little piece of heaven. This very clean and crisp interior has many hidden treasures as well as happy accidents. We also see Jill's concept appear in the uniquely designed ceiling and lighting fixtures. It also appears in the the hardwood floor where she used a contrasting finish to create a circular pattern. The curtains are from a local vendor and are fire retardant. Beyond the curtains is where Bible Study takes place, as well as storage. Hidden Treasures!


The floor is made from reclaimed wood. Jill was able to salvage wood from a retired minster's church; who's now a cabinet-maker and was contracted to work on the project. One day he made a mistake while building a piece of furniture designed by Jill...it ends up a happy accident, STAY tuned.


The class tuned in to hear more about materials and design.


Jill was able to salvage more than wood for the floors and furniture, she was able to keep the framing for the windows as well. REMEMBER: recycle, reuse, re purpose is the key to sustaining the earth for your children.


Ok, here's that piece furniture where the mistake was made, so where is it? Jill receives a phone call about a blemish/imperfection in the wood. Well, the problem was solved by contrasting the wood once again, this time with a horizontal ban, creating a beautiful motif that is repeated throughout the interior. This solid mahogany wood with vertical ribbed details is also reclaimed from the cabinet-maker's former church.
Furniture designed by Jill Speah.

question: What's in this box?
answer: Treasures for the Sunday School teacher.


There's the horizontal motif repeated.


The doors were also a happy accident. Again, we see the episcopal shield.


Jill turned this once commercialized kitchen into an interior space that remained ADA compliant; however, transformed into a cozy residential feel.


To find more information about this project and others visit Jill at:

Spaeh architecture + environments

Jenga 4.0

OPPORTUNITY
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......
.......
.......
beaucoup des vagues must now stack the 3 units previously combined in Jenga 3.0, totaling 6 units. 1 unit must flip 180 degrees, or one can change at 90 degrees.

Jenga 4.0

Construction Drawings: by Cassandra Brunson

Section A: A1


Section B:B1

First Floor, plan view


2nd Floor, plan view


3rd Floor, plan view

Fourth floor, plan view

Renderings: by Phillip Snider


back exterior views
front exterior view


2nd floor view



3rd floor view


4th floor view


JENGA 4.0 (presentation board)



Saturday, March 5, 2011

Jenga 3.0 (team = beaucoup des vagues = MANY WAVES


From Left to right: Cassandra Brunson: Phillip Snider: Nicole Ware


Jenga 3.1

Below are diagrams of our three units merging. We have highlighted destinations, circulation, boundaries, and objects; creating public and private spaces.




Community is a basic need of humans. We need others to surround us in order to communicate and create friendships. Our space is all about bringing together designs as well as people.

As you enter into the large and lofty lobby you feel a sense of community from the various gathering areas. These areas can be used for eating with friends or sitting down for a chat with a neighbor. As you walk through to the back of the lobby it narrows into a hallway that leads to the three apartment spaces. If you continue straight back down the hall you will enter the stairwell that leads up to the large semi-outdoor rooftop terrace that is accessible from the second floors of the apartments. The space incorporates the main forms from the three different spaces and merges them into a cohesive design. These forms also produce the ceiling, space dividers, and seating. This area is a place to have the company of neighbors and friends while enjoying beautiful scenery, gardens, and quiet gathering areas.

Jenga 3.2

Individually, we made diagrams for our books, using words and images to capture the essentials of each of them.

Diagram of "Symbols in Space, Forms in Space": by Phillip Snider:


Diagram of "Cradle to Cradle" by Nicole Ware:


Diagram of "The Architecture of the City" by Cassandra Brunson:



Credits: skeleton: http://www.peoplequiz.com/quizzes-1765-Bones_of_the_Human_Body.html

Jenga 3.2

Finally, we collaborated the books into a cohesive composition.


arrangement by Phillip Snider