Wi9 Unit to Whole (semester finale)

The combination of curves and angles is an unlikely recipe for most, but this exploration led to the formation of Symbiosis. We took the pronounced vertical curves and cleverly incorporated the equally pronounced angels; resulting into a six-story masterpiece. We are now commissioned to introduce yet another team of 6, Pinnacle, whom formed under the merger of six other concepts. We all assumed it’d be a difficult task to build a new structure encompassing each of our individual concepts. Once the location of Vic, Spain was selected we continued to develop our ideas concerning the natural environment and the intended functionality of the building. We found Synergy’s concept identity through this process, which then shaped our ideations on the facade of the building and it’s contents.

Our concept is based around reoccurring moments of openness (like nature) to enclosures (sheltered environments). Therefore, we decided that the new structure should be tucked away in the mountains and rolling hills, offering a sense of ultimate peace and relaxation; perhaps, from having left the busy city just 15 short miles away to further support the concept. Synergy’s structure takes the shape and formation of a spin top. It moves indefinitely in an upward position; due to our hexagonal shape created by stacking 12 two story units, which offset roughly 15% at every level change. It was with ease that I made a connection with this new structure as well as evident how to relate my concept. In this case, I am able to draw on the implied movement of both structures. My “S” shape and word ignite is about the motion and fluidity of flames. This new structure is certainly about movement, from the exterior facade to the interior where pathways and circulation has been designed due to the shell of the building.

Ironically enough, all partners of Synergy found their individuality, eventually. Revisiting Jenga 1.0, my concept word “Ignite”, and the kit of parts was realized through materials and finishes. The focal point inside my unit is a 28’ lightly frosted white corian “S” shape wall, that bursts through the ceiling of the 1^st level and expanded to the top of the 2^nd floor’s ceiling. I used soft blues for the wall colors and small hints of burnt red as accents throughout the interior. The selection of the dark hardwood floors in the living area was an attempt to give high contrast to the otherwise light walls. Tiled marble floors were used in the dining area and the bathroom, which added a texture distinction, which created a division of spaces, without enclosures like walls. Considering our location is Vic, Spain, I decided to create somewhat of a contrast from the 1^st floor to the 2^nd floor, and incorporate some of the historical vibrancy of colors. I used flaring red wallpaper with curves and organic shapes to offset the calmness and relaxed 1^st floor. Both floors were treated with small amounts of gray, to give a subtle yet sense of sophistication.